Foz Meadows
Quote
As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message — And Lo! There shall be Two Hot Boys, one of them your Heart’s Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love — I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing. I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there’s no problem. But past a certain point, the numbers begin to tell — and that poses a tricky question. In the case of actual mobs, you’ll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren’t so clear cut. Authors tell the stories they want to tell, and even if a number of them choose to write a certain kind of narrative either in isolation or inspired by their fellows, holding any one of them accountable for the total outcome would be like trying to blame an avalanche on a single snowflake. Certainly, we may point at those with the greatest (arguable) influence or expostulate about creative domino effects, but as with the drop that breaks the levee, it is impossible to try and isolate the point at which a cluster of stories became a culture of stories — or, for that matter, to hold one particular narrative accountable for the whole.
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| Answer | Clues |
|---|---|
| PEACE | 464 clues |
| ISLAM | 435 clues |
| SOUL | 351 clues |
| NATURE | 180 clues |
| WRITER | 154 clues |
| WORLD | 117 clues |
| UNITY | 110 clues |
| CULTURE | 101 clues |
| ARISTOTLE | 77 clues |
| PSYCHE | 74 clues |
| WRITING | 74 clues |
| LITERATURE | 47 clues |
| TRINITY | 41 clues |
| PSYCHOLOGY | 25 clues |
| QURAN | 24 clues |
| CHRISTIANITY | 3 clues |
| YA | 1 clue |
Similar crossword clues
- A Meadows 80.00%
- Open meadows 78.26%
- Meadows 77.78%
- Actor Meadows 75.00%
- Moist meadows 75.00%
- Wet meadows. 72.73%
- Poetic meadows 72.00%
- Like meadows 69.57%
- Lush meadows. 69.57%
- Moms in meadows 69.23%
- Pink Floyd "___ Meadows" 68.97%
- Measure for meadows 66.67%
- Green meadows 66.67%
- Dairy meadows 66.67%
- Comedian Meadows 66.67%
- Mansfield or Meadows 64.52%
- Browse in meadows. 64.29%
- Edible meadows 64.00%
- Grassy meadows 64.00%
- Idylic meadows 64.00%
Related word tools
Sickness – Sartre’s first novel
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Hint 1 meaning
Seasickness; hence, any similar sickness of the stomach
accompanied with a propensity to vomit; qualm; squeamishness of the
stomach; loathing.
Hint 2 anagram
NSAEUA
Hint 3 another clue
PERPLEXED state
7 +1