Crossword-Solution: SCHOENBERG
We have 3 clues for the answer “SCHOENBERG”
| Clue | Answers |
|---|---|
| & 60. Austrian-born composer | 1 answer |
| ERWATUNG opera composer | 1 answer |
| Arnold | 20 answers |
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Dermatological complaint
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Hint 1 meaning
An inflammatory disease of the skin, characterized by the
presence of redness and itching, an eruption of small vesicles, and the
discharge of a watery exudation, which often dries up, leaving the skin
covered with crusts; -- called also tetter, milk crust, and salt rheum.
Hint 2 anagram
EAMECZ
Hint 3 another clue
eruption
8 +1
New Suggestion for "SCHOENBERG"
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Sentences with SCHOENBERG (5)
Schoenberg, her aunt, rose to go, she gave Feuerstein a chance to say in a low aside: "My queen! To-morrow at eleven--at Bloomingdale's." Her blush and smile told him she would be there.
And so thou wantest to know of the 'coy' sisters of Schoenberg? Hark ye, Jann, that cousin of thine is a Schonberg.
Joseph Speckbacher commanded the right wing, whose line extended from the heights of Passberg to the bridges of Hall and Volders; Hofer was with the centre, and had his headquarters at the inn of Spade, on the Schoenberg; Haspinger directed the left, and advanced by Mutters.
Ives was also a revolutionary atonal composer, who created, essentially without precedent, many atonal works that not only pre-date those of Schoenberg, but are just as sophisticated, and arguably even more so, than those of the 12-tone serialist.
Thus, while other atonal composers such as Schoenberg or Berg attempted to infuse their music with "20th century" themes of hostility, violence and estrangement within their atonal music, the atonal music of Ives is, from a thematic standpoint, really quite "tonal." Ives wrote the following essays as a (very big) set of program notes to accompany his second piano sonata.
Quotes with SCHOENBERG (3)
As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river.…
They [the critics] deal with Schoenberg’s early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
After I had been studying with him for two years, Schoenberg said, "In order to write music, you must have a feeling for harmony." I explained to him that I had no feeling for harmony. He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass. I said, 'In that case I will devote my life to beating my head against that wall.
Where this answer appears
Appears in: NYT.
Used 1 time in crossword archives (2016).