Crossword-Solution: LITHOGRAPHY
Dictionary
| Word | Word Type | Definition |
|---|---|---|
| Lithography | n. | The art or process of putting designs or writing, with a greasy material, on stone, and of producing printed impressions therefrom. The process depends, in the main, upon the antipathy between grease and water, which prevents a printing ink containing oil from adhering to wetted parts of the stone not covered by the design. See Lithographic limestone, under Lithographic. |
We have 5 clues for the answer “LITHOGRAPHY”
| Clue | Answers |
|---|---|
| microchip manufacturing technique | 1 answer |
| offset printing | 1 answer |
| planographic printing process | 2 answers |
| LITHOGRAPHIC process | 3 answers |
| printing process | 32 answers |
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Dermatological complaint
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Hint 1 meaning
An inflammatory disease of the skin, characterized by the
presence of redness and itching, an eruption of small vesicles, and the
discharge of a watery exudation, which often dries up, leaving the skin
covered with crusts; -- called also tetter, milk crust, and salt rheum.
Hint 2 anagram
ZECAEM
Hint 3 another clue
eruption
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New Suggestion for "LITHOGRAPHY"
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Sentences with LITHOGRAPHY (5)
Lithography was well known in Germany, by the very name which it still bears, nearly three hundred years before Senefelder reinvented it; and specimens of the ancient art are yet to be seen in the Royal Museum at Munich.[5] Steam-locomotion by sea and land, had long been dreamt of and attempted.
Weber and Senefelder both laid claim to the invention of lithography, though it was merely an old German art revived.
Lithography was at one time very popular, and, in books like Roberts’s “Holy Land,” exceedingly effective.
With ourselves, among whom money is plenty, enterprise so great, and everything matter of commercial speculation, Lithography has not been so much practised as wood or steel engraving; which, by the aid of great original capital and spread of sale, are able more than to compete with the art of drawing on stone.
The theory will possibly be objected to by many of our readers: the best proof in its favor, we think, is, that the state of art amongst the people in France and Germany, where publishers are not so wealthy or enterprising as with us,[*] and where Lithography is more practised, is infinitely higher than in England, and the appreciation more correct.