Crossword-Solution: ACATALECTIC
Dictionary
| Word | Word Type | Definition |
|---|---|---|
| Acatalectic | a. | Not defective; complete; as, an acatalectic verse. |
| Acatalectic | n. | A verse which has the complete number of feet and syllables. |
We have 5 clues for the answer “ACATALECTIC”
| Clue | Answers |
|---|---|
| TERM in prosody meaning not defective at the end/lines with expected number of syllables | 1 answer |
| VERSIFICATION lines with expected number of syllables | 1 answer |
| having a full number of syllables | 1 answer |
| lines with expected number of syllables | 1 answer |
| not defective at the end | 1 answer |
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Kind of apple
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E
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A
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T
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R
Hint 1 meaning
One who, or that which, eats.
Hint 2 anagram
ATREE
Hint 3 another clue
greedy person
17 +1
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Sentences with ACATALECTIC (5)
Athenians, indeed! where is your theatre? who among you has written a comedy? where is your Attic salt? which of you can tell who was Jupiter’s great-grandfather? or what metres will successively remain, if you take off the three first syllables, one by one, from a pure antispastic acatalectic tetrameter? Now, sir, there are three questions for you: theatrical, mythological, and metrical; to every one of which an Athenian would give an answer that would lay me prostrate in my own nothingness.
Those groups which are identical in figure must also be uniform in duration if they are to enter as substitutionary groups into a rhythmical sequence.[5] When the acatalectic type is alternately departed from and returned to in the course of the rhythmical sequence, the metrical equivalents must present total time-values which, while differing from that of the full measure in direction and degree, in dependence on the whole form of their structure, maintain similar fixed relations to the primary type.
The natural pause at the end of a line of poetry often occupies the time of an entire syllable, and we have a rational explanation of what has been called without explanation “catalectic” and “acatalectic” lines.
The reason of this unusual rapidity of movement is the unusual character of the eight-syllable verse as acatalectic, almost all other kinds of verse being catalectic on at least one syllable, implying a final pause of corresponding duration.
But the delicate interchange of the catalectic and acatalectic dimeter, the wonderful plays and changes of cadence, the opening, as it were, of fresh stops at the beginning of each new paragraph of the verse, so that the music acquires a new colour, the felicity of the several phrases, the cunning heightening of the passion as the poet comes to "Oh! love me then, and now begin it," and the dying fall of the close, make up to me, at least, most charming pastime.